Bronia Housman

Bronia Housman

Designer

Recent design includes: The Rubenstein Kiss & Amy’s View (Nottingham Playhouse); Strange Blooms (Shobana Jeyasingh Dance); Imago (Glyndebourne); The Rodin Project (Sadlers Wells and touring); A Real Humane Person Who Cares and All That (Arcola Theatre); Sports et Divertessements/ Babar (la Carrière de Normandoux); Precious Bane, Sexual Neuroses of Our Parents, Shoot, Get Treasure, Repeat, Don Juan Comes Back From The War, The Laramie Project and Loveplay (Arts Educational School); The Execution of Damiens and Three short plays from Africa (Momentum Festival, Nottingham); The Promise (New Wimbledon Studio); Cosi Fan Tutte (Classical Opera Company); After Miss Julie (Nottingham Playhouse); For One Night Only (Pleasance Theatre, London); Henhouse (Arcola Theatre).

Bronia has been Es Devlin’s Associate Since 2004, recent work includes: Faith Healer (Donmar Warehouse); The Nether (Royal Court & West End); Don Giovanni, Les Troyens (ROH); The Master and Margarita (Complicite); London Olympic Closing Ceremony (London Olympic Stadium); Parsifal (DNO); Take That; Progress (Stadium Tour); Lucrezia Borgia (ENO); Pieces of Vincent (Arcola Theatre); Die Tote Stadt (Finnish National Opera); Faust (Dresden SemperOper); Blaze (Touring) Knight Crew (Glyndebourne); Take That; The Circus (UK Stadium Tour); I Puritani (De Nederlandse Opera & Greek National Opera); Pet Shop Boys; Pandemonium (World Tour); Salome (ROH); La Clemenza di Tito (El Liceo Barcelona), Don Giovanni and Flammen (Theater an der Wien).

Bronia trained at the Motley Theatre Design Course and Kent University.