Bronia Housman

Bronia Housman

For the New Vic: The Kitchen Sink

Bronia trained at the Motley Theatre Design Course and Kent University.

Recent design includes: Remarkable Invisible (Theatre by the Lake, Keswick); The Little Match Girl (The Last Baguette, touring); The Rubenstein Kiss, Amy’s View & After Miss Julie (Nottingham Playhouse); Strange Blooms (Shobana Jeyasingh Dance); Imago (Glyndebourne); The Rodin Project (Sadlers Wells and touring); A Real Humane Person Who Cares and All That (Arcola Theatre); Precious Bane, Sexual Neuroses of Our Parents, Shoot, Get Treasure, Repeat, Don Juan Comes Back From The War, The Laramie Project & Loveplay (Arts Educational School); The Execution of Damiens and Three short plays from Africa (Momentum Festival, Nottingham); The Promise (New Wimbledon Studio); Cosi Fan Tutte (Classical Opera Company); For One Night Only (Pleasance Theatre, London); Henhouse (Arcola Theatre).

Bronia has been Es Devlin’s Associate Since 2004, recent work includes: Faith Healer (Donmar Warehouse); The Nether (Royal Court & West End); Don Giovanni (ROH); The Master and Margarita (Complicite); London Olympic Closing Ceremony (London Olympic Stadium); Parsifal (DNO); Lucrezia Borgia (ENO); Die Tote Stadt (Finnish National Opera); Faust (Dresden SemperOper); Take That; The Circus & Progress (UK Stadium Tours); I Puritani (De Nederlandse Opera & Greek National Opera); Pet Shop Boys; Pandemonium (World Tour); Salome (ROH); La Clemenza di Tito (El Liceo Barcelona).